i do love your large land/space-scape pages! love how, when one looks from the page bottom up, it goes from a simple tiered walled city to something a bit more… sinister!
Btw, read Ghost Fleet #7! Man!! you did a helluva job with #7! can’t wait for #8!!
Thanks man! Its a way to cut down on time. I can focus on worldbuilding one big page at a time, and then get to good character stuff in the middle! And thanks for the kind words on issue 7!
BIG Big big !!!
Like vonbek above, I so love the way you set the tone with Epic Scope.
I do believe you are becoming the new Cecil B DeMille of SciFi webcomics! (You remind me of Huge scenes of Philippe Druillet in his stuff published in Heavy Metal during the ’70s and ’80s.)
This page demonstrates nicely what once I called one of your most impressive styles / techniques: Clever use of perspective and discretion in the presentation of details.
The perspective really gets the big picture across, even though I’m sure – with all the confidence of someone who has no actual knowledge of the subject – that it is technically incorrect.
And much of the impact of the image comes, IMHO, from the carefully chosen level of details shown.
And, yes, I can see that me explaining to you how you do this smells of an uncanny sense of entitlement, but I think that as far as uncanny senses of entitlement go, this is one of the least despicable.
Just started to read this interview, where Paul Mirek introduces you with: All of his work shows a knack for dynamic set-pieces, animated characterization, and widescreen drama – oh, and a “stellar” eye for detail.
I have to admit that I couldn’t have said it better.
Always nice to learn something, whether it’s language or humility (or both).
i do love your large land/space-scape pages! love how, when one looks from the page bottom up, it goes from a simple tiered walled city to something a bit more… sinister!
Btw, read Ghost Fleet #7! Man!! you did a helluva job with #7! can’t wait for #8!!
Thanks man! Its a way to cut down on time. I can focus on worldbuilding one big page at a time, and then get to good character stuff in the middle! And thanks for the kind words on issue 7!
Its simply amazing!
totally in love with picture
Thanks!
BIG Big big !!!
Like vonbek above, I so love the way you set the tone with Epic Scope.
I do believe you are becoming the new Cecil B DeMille of SciFi webcomics! (You remind me of Huge scenes of Philippe Druillet in his stuff published in Heavy Metal during the ’70s and ’80s.)
Wow, big compliment! Thanks so much!
Wow! Another classic full-pager!
Trying!
I swear, every time I see the newest page I’m totally blown away.
Thanks Cole!
This page demonstrates nicely what once I called one of your most impressive styles / techniques: Clever use of perspective and discretion in the presentation of details.
The perspective really gets the big picture across, even though I’m sure – with all the confidence of someone who has no actual knowledge of the subject – that it is technically incorrect.
And much of the impact of the image comes, IMHO, from the carefully chosen level of details shown.
And, yes, I can see that me explaining to you how you do this smells of an uncanny sense of entitlement, but I think that as far as uncanny senses of entitlement go, this is one of the least despicable.
Just started to read this interview, where Paul Mirek introduces you with: All of his work shows a knack for dynamic set-pieces, animated characterization, and widescreen drama – oh, and a “stellar” eye for detail.
I have to admit that I couldn’t have said it better.
Always nice to learn something, whether it’s language or humility (or both).
OTOH, describing SM as space trucker buddy comedy? Come on!
: ) Thanks for your thoughtful comments, Timothy! It means a lot!
Ah!! I Love the smell of a minimally despicable uncanny sense of entitlement in the morning!
You’re welcome.